Another Script Registered with the WGA

I finished writing another feature-length screenplay this week. I think this is my fifteenth to date, although only about ten of them are any good. At least five in there are what I like to think of as practice scripts. Genres that I have written include: broad comedy, historical comedy, historical biopic, animated/family, sci-fi/action, crime drama, psychological thriller, and romantic comedy. This latest screenplay marks my first foray into comedy-horror. It was fun to write.

When I first outlined this project, I had imagined it to be more of a horror-comedy, but then I kept adding more jokes while toning down the horror elements. In the past, I've spent anywhere from three weeks to a year and a half on a screenplay. This one took just under three weeks, including revisions. I think that's a new record.

This latest screenplay is called Dummy, and it's about an evil ventriloquist dummy who seeks to take over the world. I've even got a title for the sequel if it ever makes it that far. It shall be called Dummy 2: Even Dummer. Taking this premise one movie further, Dummy 3 could be called Dummstruck. Then Dummy 4: Dumm Most Harderest. The fifth installment could be the gritty reboot where they actually take the material seriously and treat it as a straight-up horror flick. 

I wrote this screenplay with the idea that it could be done on a minimal budget and that I could potentially direct it myself. Almost the entire story takes place inside one house. I think there are only about ten short scenes that do not occur either inside or outside of this location. It also involves a creepy ventriloquist dummy that gets destroyed over and over, and if audiences are anything like me, I think that they'll take a certain degree of satisfaction in witnessing this.  

Another idea that I'm presently outlining follows a similar design, but right now, I'm imagining it as somewhat of a spy drama. We'll see if I can exercise enough willpower to not turn it into a comedy. This, too, is intended to be done on a minimal budget and is something that I could potentially direct. It also takes place almost entirely inside one house. In my "idea garden," this is one of many works-in-progress.

Over the past several months, I've also gone back over a lot of my older work. Since writing tends to be one of those things that you get better at the more you do it, by that rationale, I become an incrementally better writer with each subsequent work. Therefore when I revisit my old work with an updated skillset, I think that I've been able to polish up these things considerably. 

The thing is, that's true with music, too. I could almost certainly re-record all of my albums now and they would sound better just because of what I learned in the process of recording them. I can also play and sing them all better now than I could when they were fresh, which is more or less when all of my songs have been recorded. The only remedy to this is to keep writing music, and keep making the existing songs sound better when I play them live--not that I have performed since the pandemic began, unless you count sitting outside with an acoustic. 

I have been recording a ton of guitar and piano riffs lately. I think I'm up to eighty-some recordings on my phone. This is usually the first step in the coalescence of an album. If so, I'll be sure to post regular updates on my music page. I have so many articles on there that I just ended up reposting a lot of them. It's been a while since I've written much of anything publicly, as I've been deeply engaged in other matters.